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On a final note: if you haven't already, you'll need to have a look at the. I don't doubt the right building blocks are there, however - and on the whole, to me it seems like a lovely instrument set which I most certainly could have many uses for. Then again, I wasn’t expecting any miracles in that regard, either.Īnd as others pointed out, it's a lot of programs/articulations you've got there - which looks a bit daunting… but I would find it only logical that one needs to spend a certain amount of time/work to build fluid, expressive lines - or at least attempt to - with this type of VI. But there are a few spots in the demos where you’re throwing things at it which it apparently doesn’t handle all too well – especially the faster lines made me raise an eyebrow. Some parts in the demos sound truly impressive and organic, especially the ones using the highly-expressive-yet-not-over-the top-vibrato, which seems to have been performed exceptionally well and rather consistently (as far as I can tell from the demos/trial patches, of course).
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The handful of dedicated solo string libraries out there all have their strengths and shortcomings - and from what I’m hearing, this one is no different. I really find it commendable that you chose to sample solo bowed strings for your first release, not to mention the fact that you’re offering them for a very, very reasonable price. Re: Announcing PragueSounds Solo Strings - intro price addedĬongratulations, Lukas. Demos featuring PragueSounds Solo Strings on all string parts combined with non-string sounds from various other libraries - mainly brass, woodwinds and percussion: Demos featuring PragueSounds Solo Strings only (and no other instruments):Ģ. More info, audio demos and playable demo patches at: Complete patch list: ġ. Each instrument was paid undivided and equal attention, so no omitting bass and viola pizzicatos, tremolos and other a bit obscure instrument patches, which are sometimes neglected in solo strings libraries. With its 360 patches in total (250 individual instrument, 110 x-fade, round robin and keyswitch patches) the library is perfect for almost any genre, from classical music to epic soundtracks. Our idea was to create a pretty complex solo strings library with slightly different type of sound than may be common for solo strings libraries - atmospheric and generally a little more ambient and wet, designed to sit very well in the mix even with bigger orchestral instruments such as large section brass, woodwinds or percussion.īut above all, the main focus is on quality sound in standalone solo string tracks. We would like to announce a new product - PragueSounds Solo Strings for Kontakt.