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The term “Sketchpad” for me is connected with a simple, fast process that needs little to no attention to technicalities but features a playful focus on making music. I have to say, I find the title “Symphonic Sketchpad” somewhat misleading. Rather than mentioning all the technical possibilities, I decided that this review’s focus should lie on my experience concerning the creative process and workflow I encounter using the Orchestral Sketchpad – because a Swiss-Army-Knife might not be for everyone… Palette – Symphonic Sketchpad Walkthrough This video clip demonstrates the numerous possibilities of tweaking your sound much better than I could writing about it. The article would go on forever and would probably be boring as hell, so for those interested, I included a video walkthrough of Palette’s features hosted by its developer Dickie Chapin. While writing this article I somewhat struggled with the sheer quantity of features I felt I should be considering when reviewing the instrument. All of that is not only available for the full version of Kontakt, but also for the free Kontakt Player. Red Room Audio went all the way to create an one-stop toolkit for digital composers, where you have all your classical instruments (strings, woods, brass, piano, harp, choir) at hand, but also have access to less typical instruments like Hand Percussion, Crotales, the infamous Trailer Tools and Synths. Palette Symphonic Sketchpad could be called the Swiss-Army-Knive of epic orchestral libraries. These processors are no external VST plugins, they are powered by KONTAKT’s built-in FX engine and can be accessed right from the library’s main interface. Reverb, Distortion, Screamer, Equalizer, Compressor, etc. In addition to that, each instrument can be modulated with several of the 19 included effects, e.g. Also, you can adjust Dynamics, Round Robins, Vibrato and Tremolo/Flutter. These include legato, sustained, marcato, tenuto, staccato, spiccato/staccatissimo, pizzicato (for strings) and trills. The main library consists of 20 instruments, each with 3 mixable microphone positions (close, decca tree, hall) and up to 8 (!) articulations. Red Room Audio, as it seems, has internalized this concept and took great care to deliver an extensive ensemble of instruments and equipped them with an equally substantial repertoire of effects. Knowing this, it’s not unusual to find several orchestral instruments that try to include these aspects of modern arrangements into their orchestral library portfolio. Today’s cinematic music doesn’t solely rely on the sound of the orchestra alone, but frequently incorporates elaborate sound design elements used in trailer music like braams, whooshes, epic drums hybrid FX or synths. Orchestral libraries these days try to integrate additional instruments and sound FX to present the composer with a maximum of creative tools and extend the product’s usability. To view in a language other than USA - English, please select the appropriate country and language from the drop down menus.The first impression that strikes when looking at Palette is its sheer quantity. "identifier": "ATT_calc_base_name_or_package_color_",ĭata Sheets are available in multiple languages. "identifier": "ATT_calc_size_volume_or_weight_+_item_", "ATT_calc_size_volume_or_weight_+_item_": "1 Quart", "ATT_calc_base_name_or_package_color_": "Clear",